Shirazi Song

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Hafez

Xāwje Shams-od-Dīn Moḥammad Ḥāfeẓ-e Shīrāzī (Persian: خواجه شمس‌‌الدین محمّد حافظ شیرازی‎), known by his pen name Hafez (حافظ, Ḥāfeẓ, 'the memorizer; the (safe) keeper'; 1315-1390) and as "Hafiz", was a Persian poet, whose collected works are regarded by many Iranians as a pinnacle of Persian literature. His works are often found in the homes of people in the Persian-speaking world, who learn his poems by heart and use them as everyday proverbs and sayings. His life and poems have become the subjects of much analysis, commentary and interpretation, influencing post-14th century Persian writing more than any other Persian author.Hafez is best known for his Divan of Hafez, a collection of his surviving poems probably compiled after his death. His works that can be described as "antinomian" and with the medieval use of the term "theosophical"; the term "theosophy" in the 13th and 14th centuries was used to indicate mystical work by "authors only inspired by the holy books" (as distinguished from theology). Hafez primarily wrote in the literary genre of lyric poetry or ghazals, that is the ideal style for expressing the ecstasy of divine inspiration in the mystical form of love poems. He was a Sufi.Themes of his ghazals include the beloved, faith and exposing hypocrisy. In his ghazals he deals with love, wine and taverns, all presenting ecstasy and freedom from restraint, whether in actual worldly release or in the voice of the lover speaking of divine love. His influence on Persian speakers appears in divination by his poems (Persian: فال حافظ‎, fāl-e hāfez, somewhat similar to the Roman tradition of sortes vergilianae) and in the frequent use of his poems in Persian traditional music, visual art and Persian calligraphy. His tomb is located in his birthplace of Shiraz. Adaptations, imitations and translations of his poems exist in all major languages.